A Little Snow Fairy Sugar

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A Little Snow Fairy Sugar (ちっちゃな雪使いシュガー Chitchana Yukitsukai Shugā?) is a Japanese anime series developed by J.C.Staff. It premiered in Japan on TBS on October 2, 2001 and ran for 24 episodes until its conclusion March 26, 2002. A two-episode OVA was also released for the series. The series was licensed for North America by Geneon Entertainment, but after the closure of Geneon, its DVD releases went out of print. In 2009, Sentai Filmworks had acquired the license.
A related manga series written and illustrated by Botan Hanayashiki under the name "BH Snow+Clinic" was also released. Originally serialized in Dragon Junior, the individual chapters were published in three tankōbon volumes by Kadokawa Shoten.

Plot

The story is based around 11-year-old Saga Bergmann, a young girl in a small German town called Muhlenberg (based on real town of Rothenburg ob der Tauber). Saga lives with her grandmother Regina and works in a coffee shop when not in school. Saga is extremely structured and plans her life down to the minute. One day, she notices a tiny creature in a fluffy outfit that appears to be starving. She offers it a waffle, which helps revive the tiny creature. Saga learns that this tiny creature is Sugar, an apprentice season fairy. Sugar explains that season fairies alter the weather by playing a magical musical instrument, and her specialty is snow, which she creates by playing the piccolo. Sugar is joined by two more apprentice season fairies, Salt, an outgoing male fairy who plays the trumpet to make the sun shine more brightly, and Pepper, a quiet and caring female fairy who plays the harp to make the wind blow.
All three apprentices are shocked at the realization that Saga can see them, since humans are not supposed to be able to see season fairies. Pepper speculates that exceptional humans might be able to see them, which is the best possible explanation. Sugar tells Saga that the three have been sent to Earth to train as full-fledged season fairies, and to do that, they must find 'Twinkles'.
Sugar moves into Saga's bedroom and sets up residence, much to the consternation of the super-structured Saga. Saga is a well-meaning, intelligent and highly-organized girl who feels compelled to look after the childish, loud and irresponsible Sugar, who is incapable of looking after herself. The story is complicated further with the arrival of three adult season fairies—Turmeric, a cloud fairy; Ginger, a rain fairy; and the Elder, the leader of the season fairies—and two more apprentices—Basil, a hail fairy, and Cinnamon, a thunder fairy.
With the highly disruptive presence of Sugar, Saga's life goes haywire. Her friends Norma and Anne think that she is losing her mind, and her teacher, Miss Hanna, is worried that her best student is acting strangely. Not at all concerned with her strange behavior is Greta, an egotistical rich girl who considers Saga to be her rival, and Phil, a goofy inventor who keeps trying to persuade Saga to help him with his experiments, if he is not already busy building and trying out his latest device.

Characters

  • Saga Bergman Age: 11, is the series protagonist. Her mother died in an accident, so she lives with her grandmother. Saga is somewhat obsessed with planning, scheduling her day nearly to the minute and is frustrated when her plans go off schedule. She can be quickly lost her temper when she deals with Sugar. She is actually very kind and quite mature for her age. Saga works in a coffee shop, and regularly stops at the local music store to play her mother's piano. Voiced by: Masumi Asano (Japanese), Michelle Ruff (English)
  • Sugar Age: About 9. She is a female snow fairy apprentice, working to learn how to be a full fledged fairy. She comes to the human world for the final part of her training, requiring her to find a so called "Twinkle". Sugar acts much like a toddler, with a clumsy nature who often tries her best at things but messes them up because she doesn't always think things through. She loves to kiss anyone she is fond of when happy. After Saga first feeds her a waffle, she comes to love treats, though she mispronounces their name as "waffo". In the manga adaptation, she was familiar with the word before eating one. Voiced by: Tomoko Kawakami (Japanese), Rebecca Forstadt (English)
  • Pepper Age: About 9. She is a female apprentice wind fairy and one of Sugar's friends who also comes to the human world to find a "Twinkle". She lives in the house of a veterinary who has a newborn baby, which she tries to care for and plays it lullabies on her harp. Calm, gentle, and polite, she is humble about her abilities and is capable of talking to animals. Voiced by: Kaori Mizuhashi (Japanese), Lara Cody (English)
  • Salt Age: About 9. He is a male apprentice sun fairy and another of Sugar's friends who come to the human world with her to find a "Twinkle". Salt initially wishes to be a sun fairy like his father, but after meeting Tumeric, he decides he wants to be a cloud fairy. Voiced by: Tomo Saeki (Japanese), Brianne Siddall (English)
  • Cinnamon is a male apprentice and an ice, or hail fairy, who's best friends with Basil. He's the calmer one of the two, until he uses his cymbals, which make him go crazy. He also loves to cause mischief, and plays pranks on humans that can't see him. Voiced by: Akiko Hiramatsu (Japanese), Kari Wahlgren(ep 7) / Kay Jensen(for the rest) (English)
  • Basil is a male apprentice, and a lightning, or *thunder storm fairy, who's best friends with Cinnamon. He's the louder one of the two, and his instrument is the drum. He loves to cause mischief to make people think that strange, natural disasters are occurring. Voiced by: Yumiko Kobayashi (Japanese), Ethan Murray (English)
  • Grandmother Regina is Saga's grandmother, who, like many others, cannot see the season fairies. She is very caring towards Saga, along with thinking there's something wrong with her since she sees her talking to nothing, a.k.a. *the season fairies. Voiced by: Chikako Akimoto (Japanese), Darcy Fitzwater (English)
  • Greta is Saga's self-proclaimed rival. The spoiled daughter of a rich family, she can be arrogant and boastful, though at times shows that she does have a good heart. She often sets up impromptu contests between herself and Saga. Voiced by: Chinami Nishimura (Japanese), Jennifer Sekiguchi (English)
  • Anne and Norma are Saga's best friends. Anne is taller, quiet and more intelligent, while Norma is shorter, bubble-headed and obsessed with odd fashions. They are often concerned about Saga, and are supportive of her actions. She liked one of the people in the play *The Bear Pianist, even though who Anne thought was a male, was a woman. Norma - Voiced by: Sawa Ishige (Japanese), Stevie Bloch (English); Anne - Voiced by: Akiko Nakagawa (Japanese), Mari Devon (English)
  • Phil and his two friends, Jan and Lan, are inventors who often try to enlist Saga, Anne and Norma's help with their latest project. Voiced by: Asami Sanada (Japanese), Steve Staley (English)
  • Ginger is an adult rain fairy who is dedicated to her job. She can be brutally honest at times, but means well and keeps an eye on the apprentice fairies. It is hinted that she has romantic feelings for Turmeric, though never explicitly stated. Voiced by: Kotono Mitsuishi (Japanese), Hope Grandflower (English)
  • Turmeric is an adult cloud fairy who plays the cello. Turmeric is a kind, thoughtful and subdued fairy whom Ginger regularly hangs out with and who becomes Salt's role model. He constantly strives to perfect his clouds. Voiced by: Kenji Nojima (Japanese), Ezra Weisz (English)
  • The Elder, is the leader of the season fairies and capable of creating any kind of weather. Though extremely wise, he often appears foolish, particularly in his dedicated pursuit of Ginger. Voiced by: Fumihiko Tachiki (Japanese), Steve Kramer (actor) (English)

Production

The initial concept for A Little Snow Fairy Sugar began with the producers at TBS deciding that they wanted to have a series about a little fairy. Haruka Aoi took this idea and came up with the concept of a fantasy town where Season Faeries lived and traveled the world to control the weather. Together Aoi, Yasunori Yamada who was responsible for the series structure, a representative from Kadokawa Shoten, and series director Shinichiro Kimura the final framework for the series was hammered out.[1] Kimura focused on telling a story that focuses on the relationship between Sugar and Saga, while not fully explaining some things to viewers. In particular, he notes that the series never really explains what the "Twinkles" are that they faeries are searching for because he felt viewers should draw their own conclusions and that the show's purpose to show how friendships are formed and how they result in people growing as human beings.[2]
The character of Sugar started as with the basic idea that the main character of the series would be a snow fairy. When trying to think of a name, Yamada associated snow with white, which he said reminded him of "sugar", giving the snow fairy its name. With that name decided, he decided that all of the other fairies would also have the names of condiments. Initially, the story was going to be set in the fairy world, with no humans at all, however, as they worked on fleshing out the story, the character of Saga was introduced. Aoi originally envisioned her as a quiet and calm girl, but she was eventually changed into the more assertive and organization obsessed character seen in the final version. Yamada notes that Kimura was responsible for turning the story into a more positive and cheerful one than the original concept might have resulted in.[1] Yamada felt the character of Greta was a key character, particularly towards the series. He notes that he and other staff members adored her as they felt she was a "good girl and a lovable character".[1] Aoi was initially surprised to find that Sugar ended up being more tomboyish than he had originally planned, but after watching the completed series, he decided that it made her cute. He felt the completed series was a "great mixture of scenario, characters, music, background and voice acting."[1]
The visual designs for the characters began with conceptual designs by Koge-Donbo. As the series was an original work and not based on a manga, she was unsure on what the final appearances for the characters would be like. Character designer Keiko Kawashima notes that this made it confusion for him to follow the designs at first. He initially designed Saga with a more youthful apperaance, but in discussing the character with Kimura, it was decided that she should have a more mature appearance that would be clearly distinctive from the appearances of the fairies. In animating the series, full-digital animation is used. Because of the fairies smaller size and movements, they would initially be drawn the same size as humans, then shrunk down when needed for scenes with humans. This allowed the animators to give the characters more detailed and realistic movements.[3]
In designing the setting for the series, art director Shichiro Kobayashi was sent to Germany to search for locations. Though initially reluctant to go, as he felt reference materials would be enough, Kobayashi notes that it ended up being a valuable experience as he was able to better capture the Europeans' aesthetic sense and the "tastefulness" that permeates the towns and houses. Returning to Japan, he attempted to capture the "atmosphere" of the region, using pastel colors and aiming to make the art feel "comfortable."[4]
The series music began with Pioneer requesting that it be romantic feeling, using piano and strings, which pleased music director Nobuyoshi Mitsumune, who had been working with the medium in his previous project. Wanting to also do something different, Mitsumune initially considered using elements from the rock and dance genres, but after seeing the conceptual art and reading the series scripts, he revisited his vision and decided to go with something more orthodox that better matched the inspiration he felt from the series.[5] For the vocal tracks, sound director Yota Tsuruoka notes that the most difficult issue was dealing with the scenes where the faeries and humans would be having separate, unrelated conversations at the same time. He decided not to just have the tracks recorded separately for combining in the editing stage, but instead had the voice actors actually perform the scenes as written, with each group doing their conversations at the same time just as it occurs on screen.[6]

Media

 

Anime

Created by "Project Sugar"—a collaboration between TBS, J.C.Staff, and Kadokawa Shoten—the A Little Snow Fairy Sugar series premiered in Japan on TBS on October 2, 2001. Directed by Shinichiro Kimura, the series ran for 24 episodes until its conclusion on March 26, 2002.
It was licensed and released in North America by Geneon Entertainment. After the company folded in the United States, its DVD releases of the series went out of print. In July 2009, Sentai Filmworks announced that they had relicense the anime and will be distributed by Section23 Films in October 2009.[7]
The anime series uses three pieces of theme music. "Sugar Baby Love" by Yoko Ishida is used for the opening theme for all of the episodes except the first and the last, which use no opening. It is also used for the ending theme for the last episode. Maria Yamamoto's performance of the song "Snow Flower" is used for the ending theme for the first 23 episodes.

OVA

 

A two-episode original video animation was released for the series. Set four years after the conclusion of the series, Saga tells Kanon about a school play in which she played the princess and struggled with stage fright, while Sugar and other fairies decide to make a play of their own.
The ending theme for the OVA is "Kokoro no Piano" ("Piano's Heart") by Masumi Asano.

Manga

Written and illustrated by Botan Hanayashiki, the A Little Snow Fairy Sugar manga series based on the anime series was originally serialized in Dragon Junior.[citation needed] The individual chapters were published in three tankōbon volumes by Kadokawa Shoten.
The manga series is licensed for an English language release in North America by ADV Manga.

http://en.wikipedia.org/wiki/A_Little_Snow_Fairy_Sugar

 

Initial D

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Initial D (頭文字D Inisharu Dī?) is a manga by Shuichi Shigeno which has been serialized in Kodansha's Young Magazine since 1995. It has been adapted into a long-running anime series by Pastel, Studio Gallop, OB Planning, Frontline, Gainax and A.C.G.T which premiered in Japan on Fuji TV and Animax, and a live action film by Avex and Media Asia. Both the manga and anime series were licensed for distribution in North America by Tokyopop; the Tokyopop version of the manga is out of print as of August 31, 2009.[1]
The anime and manga focus on the world of illegal Japanese street racing, where all the action is concentrated in the mountain passes and rarely in cities nor urban areas, and the drift racing style is emphasized in particular. Keiichi Tsuchiya helps with editorial supervision. The story is centered around the Japanese prefecture of Gunma, (mostly Shibukawa where Takumi's home is) more specifically on several mountains in the kanto area and in and their surrounding cities and towns. Although some of the names of the locations the characters race in have been fictionalized, all of the locations in the series are based on actual locations in Japan.

American licensing and alterations

The manga and anime have also been licensed by Tokyopop for an English release. The company decided to change the names of the characters in the anime edition. In addition, starting with Volume 2, the company changed the names of the characters in the manga to match the name changes in the anime.[2] The company changed names of characters. For instance, the main character, Takumi, became Tak, and his best friend Itsuki became Iggy. Some characters, such as Takumi's father, Bunta, retained their original names. These name changes were to reflect the name changes that Sega implemented into the western releases of the Initial D Arcade Stage video games {see below} due to name length limits. Viewers are able to view the episodes with the original Japanese 5.1 track should they wish. In addition, Tokyopop cut out a character's enjo kōsai relationship with another character and edited sex scenes, appearing in volumes 1 and 9 in the original tankōbon manga. In addition, "street slang" has been interlaced in translations (a drift is described as "slammin'", for example), and there have been accusations that Tokyopop has put out incorrect spec sheets on the characters' cars in the manga[citation needed]. The company also changed the music from the series' staple eurobeat tracks to originally developed tracks of rap and hip-hop via Stu Levy (DJ Milky), the Tokyopop CEO and an in-house musician.[3] (Complete Initial D Eurobeat Song Selection.) The massive editing has been attributed to rumors that Tokyopop was hoping to cash in on the growing Import Scene brought about by The Fast and the Furious with edits that would conform to American broadcasting standards (Americanization) on TV.[citation needed] The anime airs on Adult Swim in Australia.
The manga was also subject to the same name editing as the anime; the street slang was toned down and Tokyopop has been leaning toward the Japanese names in later volumes.
In 2006, Funimation Entertainment announced that it would be distributing the DVDs of the series (since Tokyopop's original distributor went bankrupt). At the New York Anime Festival 2009, Funimation Entertainment announced that it will be re-releasing and re-dubbing Initial D: First Stage, Second Stage, Extra Stage, Third Stage, and Fourth Stage. They will not be using the original Tokyopop dubbing in the re-release. It will include a brand new English Dubbing and it will retain the original music from the Japanese series in uncut format.[4]

Synopsis and Stages

 

Set in the late 1990s in Japan's Gunma Prefecture, the series follows the adventures of Takumi Fujiwara, an eighteen year old who helps his father run a tofu store by making deliveries every morning to a hotel on Akina with his father's Toyota Sprinter Trueno GT-APEX (AE86). It is revealed that Takumi has been driving on Mt. Akina every morning to deliver Tofu to the summit five years before he even had his license. As a result his skills in mountain racing were honed, and is able to drive under adverse weather conditions.

First Stage

The story begins when street racers called the Red Suns, a team from Mt. Akagi, come to challenge Mt. Akina's local Speed Stars team to a "friendly" race. After seeing how skilled the Red Suns are, the Speed Stars treat it as a race for pride, determined not to be humiliated on their home turf. However, the Speed Stars are left in a bind when their team leader and primary downhill driver Iketani has an accident during a practice run. They were desperate for a replacement, until Iketani learns from Yuuichi, the manager of the petroleum station he is working in, that the fastest car in Akina's downhill was a panda-colored AE86 owned by a Tofu store owner, and traces the car back to a local Tofu store. He discovers that the store's owner, Bunta Fujiwara, was a street racer of great repute in his younger days known as the "Ghost of Akina" . Iketani appeals to the older man to take his place in the race against the Red Suns. Iketani is confident that Bunta will come to save the day. But when the race day comes, his son Takumi appears with his Trueno instead. Although at first reluctant to let Takumi race, Ikatani relents after it is revealed that he is actually the "Ghost of Akina," the one who outran Keisuke while on one of his delivery runs. Takumi proceeds to defeat Keisuke Takahashi and his Mazda RX-7 (FD3S), causing considerable astonishment in the local racing community and putting an end to the Red Suns winning streak.
Despite being originally apathetic about the notion of racing, Takumi begins to grow more interested as he receives other challenges, and begins to understand the concept of a street racer's pride. He then proceeds to defeat drivers in more advanced and more powerful cars, such as the Honda Civic (EG6) hatchback, the Nissan Sileighty, and the Nissan Skyline GT-R (R32). He defeats them in all sorts of conditions, mostly for the first time (Duct Tape Deathmatch, wet weather race, first race in a course other than Mount Akina), culminating in the battle between him and Ryosuke Takahashi, the so-called "White Comet of Akagi." Takumi handed Ryosuke his first defeat.

Second Stage

A group of street racers called Team Emperor, all using Mitsubishi Lancer Evolutions, appear in the Gunma area, defeating anyone in their path, until one of them, Seiji Iwaki, was defeated by Takumi, breaking their winning streak. Their leader, a professionally-trained driver named Kyouichi Sudo, challenged Takumi to a race to “teach him some things” and as a sort of cover event for his race with Ryosuke, his primary target. This race saw Takumi's AE86 blow its engine. While it may have been a defeat for Takumi, Kyouichi did not consider it a race instead considering it more as a seminar to show Takumi how much he needs a better car as he believes the 86 is far too old to match Takumi's skill level. Kyouichi, believing in his street racing philosophy that professional circuit techniques were adequate to conquer the mountains passes, races Ryosuke who had the opposing philosophy that somehow, the fastest street racing required more than just what the circuit could teach. Ryosuke proceeds to defeat Kyouichi after noticing and exploiting Kyouichi's inability to tackle some right-hand corners with full confidence. When Kyouichi confronted Ryosuke about the loss, Ryosuke explains that their techniques and abilities are actually quite close but that Kyouichi's weakness were right-hand corners which, on Japan's right-handed roads, had the possibility of encountering head-on collisions. He goes on to cite how Kyouichi was unable to conquer this fear due to the fact that circuits don't have the danger of head-on collisions and that his home-course, Irohazaka pass, was a one-way road. This proved once and for all to Kyouichi that street-racing had its own special requirements just as Ryosuke had believed.
Meanwhile, Bunta knew that the engine in the 86 was about to give out. In fact, one of Bunta's "secret" tasks for Takumi was "to lose." In anticipation, he had already bought a new engine [1]- a high revving, race bred variation of the standard Toyota 4A-GE 20 valve twin cam engine, which is used for Group A Division 2 Touring Class races in the Japanese Touring Car Championship. This is extremely unusual, because this type of engine is supplied to race teams only, and is not street legal. The source of the engine was unknown. It should be noted that in addition to being a high-revving engine, the 4AGE in Takumi's car is missing the pulley cover and runs Individual Throttle Bodies (ITB). Bunta installs the engine without a new tachometer to teach Takumi the importance of learning mechanical knowledge and understanding why the car behaves as it does, though he has an instrument set ready for installation once Takumi knows of it. A fellow AE86 driver named Wataru Akiyama, who was surprised with Takumi's lack of mechanical knowledge, told him that he needs a new tachometer.
Once Takumi unsealed the power of his new engine, Wataru challenges him to a race anywhere of Takumi's choosing. Choosing Wataru's home course, the treacherous Shomaru pass, Takumi went on to race Wataru despite the risks. Wataru, who knew the course well, was absolutely sure that Shomaru pass was a test of endurance and that it was not a course where overtaking was possible. Despite this, Takumi, upon noticing that in the process of four back-to-back runs through the course that the landslide which covered one half of the road at a certain part of the course had flattened out leaving enough space for another car, took advantage of Wataru not noticing the change in the course and went side-by-side with Takumi eventually overtaking the clearly shocked Levin driver and winning the battle.

Extra Stage 1.0 & 1.5

Capitalizing on the popularity of the all-female street racing team known as Impact Blue which appeared in First Stage, this OVA focuses on Impact Blue's dynamic duo of Mako and Sayuki rather than Takumi and the usual main cast.
As Extra Stage begins, Mako is battling emotional wounds from what she thinks was a rejection by Iketani, while Sayuki's childhood friend Shingo (of the Myogi Night Kids) and his teammate Nakazato arrive to warn them about Team Emperor, which defeated the Night Kids on their home course just as they have so many other street racing teams from around the region. Mako's driving has been adversely affected by her preoccupations, and she worries about her ability to measure up to the Emperor's challenge in her current emotional state. Finally, a pair of Emperor affiliated Evos show up in Usui. The challenger, an arrogant blonde driving an Evo 4, belitted the female racers and felt confident enough to win easily. Later on in the race, the Evo 4 could barely keep up with the Sil-80, until the battle was finally decided in a extended corner, called C-121 (also called "The Terror of Usui"). where the Evo 4 hit the guardrail and lost control. Shingo and Nakazato were late and didn't get to see the race. Thinking the girls also lost, they consoled them saying they lost in their home course as well, but Sayuki unexpectedly told them they won. The Night Kids leaders were startled, thinking they raced against the top Emperor drivers whereas they only defeated an off-beat member.
Though Mako decides she does not need a man in her life for a while, she gradually develops a relationship with a friend of Shingo's named Miyahara after Shingo and Sayuki discreetly play matchmaker. Miyahara is a street racer himself, not a good one though, and he intends to give it up because he believes he has reached the highest level he possibly can, with no chance of progressing further. He has lost interest and intends to move on. He drives a red Toyota MR2 and plans to switch to an SUV in pursuit of settling down after racing. Mako feels differently, knowing there are many drivers better than her whose level she wishes to attain. As Mako and Miyahara grow closer, Miyahara reveals that he wishes Mako would quit racing also for her safety's sake, because if she was his girlfriend he would be consumed with worry for her each time she raced.
However, after Mako takes him on a drive on an unknown pass, that was home to the mountain snow resort they were vacationing at, he finally understands why she will not give up racing and realizes that she is in love with another man, Iketani.

Third Stage

By this time Ryosuke approaches Takumi with an offer. Ryosuke has been putting together a racing team featuring the best racers of the Gunma prefecture, and would like Takumi to join. Takumi doesn't want to decide whether or not to accept the proposal until he settles his score with Team Emperor leader Sudou Kyouichi, who had looked down on the AE86 because of the car's age and had seriously damaged Takumi's confidence in the AE86 after being defeated by him. Takumi proceeds to Irohazaka pass to challenge Kyouichi. Kyouichi had chosen to let Takumi lead; if Takumi prevents Kyouichi from passing him, he wins, if Kyouichi passes him, he loses. Takumi notes how the match is unfair, but this is quickly dismissed by Kyouichi. In the end, Takumi is able to prevent Kyouichi from passing. Kyouichi, who takes great pride in his knowledge and ability to race on his home course, concedes defeat and also gave praise to the new AE86, although Takumi still believes it was more of a tie and was more concerned about Kyouichi finally acknowledging the abilities of the AE86.
Kogashiwa Kai, the son of Bunta's old rival, driving a Toyota MR2 (SW20) later challenges Takumi upon knowing he beat his original target, Kyouichi. He and his father planned to beat Takumi by using a line strategy his father had devised and used against Bunta: the In-Air hairpin jump on the 33rd, 36th, 37th, 38th, and 39th hairpins of Irohazaka. Bunta, knowing how Kogashiwa has used the special line factor before, predicted to Takumi that Kai would surely be in front by the later half of the race and proceeds to give Takumi some obscure advice on how to beat Kai. Kyouichi, who had been with Iwaki Seiji , Keisuke, and Takahashi Ryouske, had predicted as well that Kai would use the technique and explains how he himself could not come to use the strategy due to his pride in his skills alone without need for strategy. Kai, upon realizing that he cannot win in a straight-forward clash of skill, uses the line strategy to overtake and further distance himself from Takumi. Takumi then finds it in himself to try this technique and masters it at the first try, finding himself catching up to Kai. At the last moment before they reach the finish Takumi realizes the meaning behind the advice given earlier by Bunta when he notices dead leaves piling up on one side of the road. Takumi proceeds puts his car past the shrubs and into the gutter to sling shot side-by-side forcing Kai to the side of the road where Takumi guesses the leaves would pile up on. Bunta, while talking to Yuuichi, has predicted that Takumi had a 50% chance of passing Kai. As they pass the bridge side-by-side airborne, the 50% chance presents itself as Kai had landed on the side of the road where the leaves had piled up where he lost control and spun out right before the goal.
This stage also saw the appearance of Miki, a former student at the same high school Takumi attended who Takumi once punched over Miki's bragging about his sexual exploits with Natsuki (seen in a flashback from 1st Stage). It was Christmas season, and Natsuki surprises Takumi at his house, and celebrates Christmas with him and Bunta. On New Year's Day, Miki takes Natsuki under duress, even attempting to rape her near Lake Akina. But Takumi, after hearing a few words of a call from Natsuki which was cut short, came to the rescue.
As spring comes, Takumi tells Ryosuke that he wants to request another battle with him, this time on Mt. Akagi, before making his decision regarding the team. It is unclear who actually wins the race, but during the race Keisuke reveals to the other members of the Red Suns that the race is not really about who wins or loses. As they approach the finish, side by side, Takumi decides that it is his desire to remain with Ryosuke and join the team.

Battle Stage 1.0

Initial D Battle Stage (special) summarizes the major street races from the two TV series. Rather than simply using clips from the TV series, the new special entirely re-animated all of the original CG car and background footage with new computer graphics rendering. The special also features a battle between the yellow FD3S of Keisuke against the white Evo 4 of Seiji, but no such race took place in the anime (although it does take place in the manga). Music is from an entirely new Super Eurobeat songs and guest commentary from legendary "Drift King" Keiichi Tsuchiya.

Fourth Stage

This series focuses on the exploits of the new team founded by Ryosuke, Project.D, which is composed of Ryosuke (leader and strategist), downhill specialist Takumi, uphill specialist Keisuke, and a staff consisting primarily of members of the Akagi Red Suns. The team travels the region, challenging other teams and posting the results of the battles on their website. Each race is intended by Ryosuke to develop a specific area of his drivers' skills. By this time, Takumi matures slowly into a more confident and knowledgeable street racer, while Keisuke improves on his technical driving skills. Takumi instinctively develops many new techniques through his own ingenuity after some prompting by Ryosuke, such as passing with his headlights off so that his opponent is unable to see him coming and block him, and using weight shifting to execute maneuvers similar to the gutter-hook technique on Akina. Ryosuke also formed the team because in a few months he is headed for medical school, and this is his last chance in a long time to indulge in street racing. Takumi, on the other hand, contends with the "Four-Wheel Drive Complex" when he was overtaken by a Subaru Impreza WRX STI, a 4WD car, on one of his delivery runs. It is later revealed that his father was driving the car. Bunta then allowed Takumi to deliver Tofu, as well as practice, in the Impreza (alternating with the Trueno) to improve his skills as a driver and to get a feel of what modern cars can do.
Project.D's opponents grew tougher and tougher, as well as more deceitful and threatening. They defeated local racing teams (like the Seven Star Leaf), students of the Todo-juku racing school (including a professional driver who is a graduate of the school), the combined forces of the Northern Saitama Alliance (who even used a Suzuki Cappuccino kei-car), thugs in Lan Evos, and the "Godfoot" and "Godhand" tandem of Team Purple Shadow. In the shadows, Wataru Akiyama watches Takumi from a distance and looks for weaknesses, but it ceased when Project.D conquered Saitama, so he began giving Takumi a few pointers, especially with the 4WD problem. There are also glimmers of romance, like Kyoko Iwase, Keisuke's fellow Mazda RX-7 FD driver and uphill ace racing for the Northern Saitama Alliance, falling in love with him, even lending her precious car to Keisuke—but, although he likes her, he rejected her, deciding to focus more on driving.
Takumi also learned a lot, including the theory of infinite lines and Joushima (the "Godhand" of Team Purple Shadow) teaching him the theory of one handed driving. Though he doubted that Takumi would start driving with one hand, he did believe he would master using the infinite lines to his advantage in future races. Hoshino, the "Godfoot" of Purple Shadow, offered his racing connections to Keisuke, who refused, saying he has still got a lot to do in street racing.

Battle Stage 2.0

Initial D Battle Stage 2.0 summarizes the major street races from the recent Fourth Stage TV series. While the first Battle Stage had every battle re-animated from scratch, the only episodes altered in the second version were the early races in stage 4, to match with the visual style of the latter portion of Stage 4. Additionally, two races that were previously seen only in the manga were animated specially for the feature. The first race is Takahashi Keisuke vs. Atsuro Kawai's Nissan Skyline 25GT Turbo (ER34), and the other is Keisuke vs. Smiley Sakai's Honda Integra DC2. Both races are noticeably shorter than the other races in the feature.
Battle Stage 2.0 was released on DVD on May 30, 2007. The official soundtrack to Battle Stage 2, featuring 24 Eurobeat songs that played during the feature, was released on September 5, 2007.

Extra Stage 2.0

Extra Stage 2.0 provides a closure on the relationship between Iketani and Mako. This story took place during the time Project D battled the Toudo school. Iketani finally met up with Mako Sato and apologized for not being able to meet her 6 months ago. Mako told Iketani she had something to tell him and asked him to meet her again. Iketani was excited that Mako gave him a second chance, he arrived 2 hours early this time. However, an old man was lost and asked Iketani for directions. Being a good person, Iketani agreed to help the old man back but on his way back. The only problem was, the old man's destination would take almost 2 hours roundtrip. While making his way back, Iketani hit the tire's shoulder on a jagged rock and got a flat tire, but he ran and was lucky to find a public phone and called Mako to take him to where they first met. This time, however, Mako tells him that she is leaving for Tokyo for a one-year race by a publishing company and the experience will be published on a magazine. With Iketani's blessing, Mako pursues her dreams. Mako also discussed her situation with her teammate Sayuki, whom she also gave Mako her blessing, disbanding Team Impact Blue in the process. Iketani then goes back to Akina and tries to forget about her while replenishing his driving skills with Kenji, while Mako and Sayuki were gearing up for their final race in Usui as Team Impact Blue...
Announced in chapter 530 of the Initial D manga, Extra Stage 2 aired on pay-per-view on October 3, 2008 and is available on DVD from December 5, 2008.

Fifth Stage

Currently, Initial D Fifth Stage is not yet released but is running on the Manga series, but Kodansha said, it will be in late 2011.

Manga

  • Initial D Manga Japanese Release - 40 Volumes (1995 - new volume released every 5 months)
  • Initial D Manga Tokyopop Release - 33 Volumes (2002 - new volume released every 3 months)

Anime

Avex has released the anime in several parts called Stages. One noticeable feature is that it uses Eurobeat music as background music in race scenes.
  • Initial D (referred to retroactively by fans as "First Stage") - 26 episodes (1998)
  • Initial D Second Stage - 13 episodes (1999)
  • Initial D Extra Stage - 2 episode OVA side-story focusing on Impact Blue (2000)
  • Initial D Third Stage - a 2 hour movie (2001)
  • Initial D Battle Stage - a 50 minute movie (2002)
  • Initial D Fourth Stage - 24 episodes (2004—2006)
  • Initial D Battle Stage 2 - a 1 hour movie (2007)
  • Initial D Extra Stage 2 - a 50 minute OVA side-story focusing on Mako and Iketani (2008)

Games

 

 

Numerous arcade and other platforms video games have been released (note: The U.S. versions of the arcade titles are called simply "Initial D").

Differences between the manga and anime version

Although Initial D is a hit anime series, its origins began in the manga. However the decision to alter segments of the story was necessary in terms of pacing as well as a slightly believable story. As a result, the changes made towards the conversions are mostly for the better and sometimes removing unnecessary repetitive parts where the manga had much of its content.
Example: The gallery of audience always have similar comments in every race like "Wow, I can't believe Project D is that fast."
So listed below is the difference between the manga and the anime for both the better and the worst.
Note: The pointers posted here are the major changes from manga to anime and the bulk is consisted still of minor changes are not added here.
  • The personalities of each and every character are much more spontaneous in the manga, but toned down in the anime.
  • In the anime version, the 1st Stage battles were presented in the order of FD, R32, EG6, Sil-Eighty, S14, and FC. In the manga, it was done as FD, R32, EG6, FC, Sil-Eighty, and S14 leading to Evo IV. The switching to have the FC as the last race of 1st Stage is to give a more dramatic closure to the anime season.
  • The race battles in the anime are more extreme in camera angle and performance compared to its original manga counterparts, more for a shocking dramatic and flashy appearance. When the manga and anime version are seen side by side, the difference becomes obvious. Example) Near the end of episode 03 of 1st Stage, Ryosuke drifting his FC when his rear fender was only a few inches away from the guardrail where in the manga it was by a good couple feet away.
  • The audience gallery in the races (mostly in 4th Stage) has a lot more involvement in the manga, but they tend to be too repetitive that most of their conversations have been removed making the anime more fast paced.
  • Smoking is also more commonly seen in the manga book and more toned down in the anime.
  • The clothing changes every time just like in real-life. In the anime, the clothing changes don’t take place as much in the 1st Stage, but is commonly seen happening in the following Stages ahead. In the manga however, brand name shirts could be seen. Such shirts may include a Toronto Maple Leafs Jersey, a Spiderman? like shirt, or even brand names of famous car part companies like BLITZ, Mugen, NISMO, etc. Plus, the use of the “New Balance” shoes and clothing line is heavily used, especially in the anime.
  • The anime does include car company names but they may tend to be mis-spelled in early Stages such as “Trueno” would be called “Toreno”. Though this was due to copyright issues. Once the series hit off and grew in popularity, certain car models featured in Initial D became more desirable, and because of the positive impact on their company, car manufacturers allowed the studios to use proper titles. An easier way to think of this is how other anime swap letters for common products to avoid copyright issues ("Popsi" for "Pepsi", and "Heep" instead of "Jeep"). Brand name clothings may be misspelled as well for the same reason.
  • Koichiro Iketani originally had a different hairstyle in the first few chapters, until he gets his S13 into an accident. Afterwards, his next hairstyle has become the standard throughout the whole series. In the anime, his hairstyle remained the same throughout the whole series.
  • Clips of Best Motoring Videos can be seen, most noticeable is the "Drift Bible" featuring "Drift King" Keiichi Tsuchiya. "Drift Bible" was also mentioned in the Omake section of Volume 6, complete with the cover for it.
  • Natsuki has nude scenes in the manga in Volumes 01 and 09. In the Tokyopop release, with the exception of first print run editions of Vol. 01, clothing was added onto her. In the anime, none of the nude scenes were featured, but the story of her relationship with Papa remains identical.
  • Team Thunder-Fire is an anime only racing team.
  • The Shingo race had a major difference in the anime comparison to the manga as there was a long 1 1/2 episode filler arc with the appearance of an anime only character named Saori (a blind-date for Itsuki).
  • Tsugumi (Tricia in Tokyopop) is Takahashi Brothers’ cousin, and makes her appearances in volumes 04 and 08, but never makes any appearance in the anime.
  • A battle between Keisuke and Nakazato takes place on Mt. Akina going hillclimb just before Takumi and Ryosuke's battle. This was a prelude of the Mount Myogi race later on. Only in the manga.
  • Kenta’s character design in the anime for 1st Stage, 2nd Stage, and 3rd Stage are completely different to his original character design in the manga. However by 4th Stage, Kenta has been reanimated to look identical to his original manga counterpart.
  • Lonely Driver's Club only exists in the anime.
  • During the rain race between Takumi and Kenta, the Evo IV of team Emperor makes an appearance trailing from behind. In the end, the Evo IV beats both cars which Takumi never mentioned (nor was he really trying his best during the race). Manga only.
  • Tsukamoto is a manga only character with quite a big side story. If he were to appear in the anime, it would only be in Second Stage which he makes a really brief cameo during the Eight-Six vs Evo III at Akagi. Most of his key scenes are replaced by the team Thunder-Fire.
  • In Takumi's battle against Wataru at Shomaru, Takumi wins the battle different in the anime by driving over the mudslide compared to manga where he simply passes Wataru at a wider section of the course. Wataru briefly lost concentration because he was low on gas.
  • Shiraishi is only seen in the manga as the one calling and writing the letters to Takumi concerning Natsuki's relationship with Papa. She is Papa's daughter.
  • In the anime, Natsuki works at the Fast Hamburger restaurant, while in the manga she applies to work part-time at the Esso Gas Station with Takumi.
  • Natsuki makes a handmade Eight-Six keychain for Takumi in the anime. There is no such keychain in the manga.
  • In the manga, there is a Valentine's Day segment where you can also see a rare scene of Itsuki having a smoke.
  • In the manga, Bunta doesn't show up at Takumi's graduation. He does so in the anime, though.
  • In the anime only, Third Stage mentioned Takumi challenging Ryosuke at Mount Akagi. In the manga only, Takumi shows Natsuki his full driving skills down Mount Akina, setting a new downhill record on Mount Akina in the process, but since no one was there to witness the run, it didn't count. These are all before joining Project D.
  • The races between Keisuke Takahashi against Atsurou Kawaii and Smiley Sakai have not been depicted in the anime series although both races were animated for Initial D Battle Stage 2.
  • After the defeat of Toudoh Racing School, Project D’s Eight-Six and FD breaks the time trial records set there. Later when Tomo arrives, he breaks the Eight-Six record without pushing Daiki's EK9 to the limit. Manga only.
  • In the manga, Bunta’s Impreza is gun metal grey in colour but in the anime and video games, it is WR Blue Mica.
  • In the manga only, Fumihiro tells Ryosuke that Kenta got into an accident in trying Takumi’s Blind Attack technique.
  • Kyoko’s expressions and personality are more spontaneous in the manga. Because of the more realism presented in the anime, Kyoko’s spontaneous expressions are removed and her personality is toned down to a sweet girl. Such scenes that have been re-edited or removed include her doing a doughnut with her FD, kissing Keisuke's FD, or flapping her hands up and down when she found out Keisuke had no girlfriend.
  • Itsuki’s story with Kazumi after Takumi's rain race and before the Tsuchisaka battle is a lot more in depth in the manga then the anime. There is such a great deal of nearly 2/3 of Itsuki's story is missing and only 1/3 was shown in the anime. Examples of events missing are Itsuki attempting to kiss kazumi,going to the zoo with her and having early hotel plans.
  • During Itsuki’s date with Kazumi, Iketani and Kenji were on their way to watch another Project D race in Saitama against a minor team. However, in the anime, this Project D race never took place but was just a driving by accident that Iketani and Kenji decide to take a peek at Itsuki’s date.
  • In the manga, the Bosozoku gang drives a Nissan Cima, but in anime, they drive Toyota Celsior (UCF10) instead.
  • Kyoko’s last request to see Keisuke drive the FC at his full 100% driving abilities is never mentioned in the manga, but an anime exclusive. In the manga only, Keisuke tells Kyoko that he used to be a bosozoku gang member.
  • The race between Takumi and Godhand was the first race against Purple Shadow in the manga book. However, in the anime, Godfoot requests to be the first battle before the Godhand battle. Keisuke accepts. (This is done intentionally to make Takumi’s race the climax to the nearing end of 4th Stage anime season)
  • In the anime only, "m.o.v.e", the musical group responsible for several opening and closing songs for the anime series (consisting of Yuri, Motsu and T-Kimura) are at the peak of the F-Line waiting at the cone.
  • In the anime only while Takumi's battle with Godhand is about to begin, his friends are at a family restaurant talking about what it means to have a girlfriend to spend time with.
  • To simplify the ending of 4th Stage, Takumi's Eight-Six suspension damage is repaired early on where in the manga it is being upgraded to the next stage as he uses the Impreza for deliveries.

References

  1. ^ "TOKYOPOP Inc. Out of Print Titles." Tokyopop. 1." Retrieved on September 10, 2009.
  2. ^ "Editors Note. Name Changes in Initial D, English Language Version." Initial D Volume 2. Tokyopop.
  3. ^ Open letter from Tokyopop. Retrieved 3 June 2006.
  4. ^ 2009 press release. Retrieved 25 September 2009.
  5. ^ "Tokyopop Open Letter regarding Initial D." Tokyopop at Anime News Network. July 13, 2002. Retrieved on September 28, 2009.
http://en.wikipedia.org/wiki/Initial_D

Doraemon

0

Posted by Sugiyarto | Posted in

Doraemon (ドラえもん?)[3] is a Japanese manga series created by Fujiko F. Fujio (the pen name of Hiroshi Fujimoto) and Fujiko A. Fujio (the pen name of Motō Abiko) which later became an anime series and Asian franchise. The series is about a robotic cat named Doraemon, who travels back in time from the 22nd century to aid a schoolboy, Nobita Nobi (野比 のび太 Nobi Nobita?).
The series first appeared in December 1969, when it was published simultaneously in six different magazines. In total, 1,344 stories were created in the original series, which are published by Shogakukan under the Tentōmushi (てんとう虫?) manga brand, extending to forty-five volumes. The volumes are collected in the Takaoka Central Library in Toyama, Japan. Fujio was born in Toyama. Viz Media bought the license to the Doraemon manga in the 1990s for an English-language release, but ultimately decided not to publish it due to the possible controversy surrounding its content.[citation needed] However, Doraemon: Nobita's Dinosaur 2006 (The 26th film in the franchise) got a private screening in Washington D.C. in November 2008.
A majority of Doraemon episodes are comedies with moral lessons regarding values such as integrity, perseverance, courage, family and respect for elders. Several noteworthy environmental issues are often visited, including homeless animals, global warming, endangered species, deforestation, and pollution. Topics such as dinosaurs, the flat Earth theory, wormhole traveling, Gulliver's Travels, and the history of Japan are often covered.

Doraemon was awarded the Japan Cartoonists Association Award for excellence in 1973. Doraemon was awarded the first Shogakukan Manga Award for children's manga in 1982,[4] and the first Osamu Tezuka Culture Award in 1997. In March 2008, Japan's Foreign Ministry appointed Doraemon as the nation's first "anime ambassador."[5] Ministry spokesman explained the novel decision as an attempt to help people in other countries to understand Japanese anime better and to deepen their interest in Japanese culture."[6] The Foreign Ministry action confirms that Doraemon has come to be considered a Japanese cultural icon. In 2002, the anime character was acclaimed as an Asian Hero in a special feature survey conducted by Time Asia magazine.[7]


Name

The name "Doraemon" translates roughly to "stray". Unusually, the name "Doraemon" (ドラえもん?) is written in a mixture of two Japanese scripts: katakana (ドラ) and hiragana (えもん). "Dora" is from "dora neko" (stray cat), and is a corruption of nora (stray). "Emon" is a component of male given names, such as Goemon, though no longer as popular in the past.[8] "Dora" is not from dora meaning gong, but due to the homophony, the series puns on this, with Doraemon loving dorayaki.

Plot

 The first appearance of Doraemon, who came via the time machine.

Doraemon is sent back in time by Nobita Nobi's great-great grandson Sewashi to improve Nobita's circumstances so that his descendants may enjoy a better future. In the original timeline, Nobita experienced nothing but misery and misfortune throughout his life. As a result of this, Nobita's failures in school and subsequently, his career, have left his family line beset with financial problems. In order to alter history and better the Nobi family's fortunes, Sewashi sent him a robot called Doraemon.
Doraemon has a pocket from which he produces many gadgets, medicines, and tools from the future. The pocket is called yojigen-pocket, or fourth-dimensional pocket. Some of the gadgets are based on real Japanese household devices with fanciful twists, but most are completely science fiction (although some may be based on folklore or religious stories). Thousands of dōgu have been featured in Doraemon. Some[who?] have placed the number of dōgu at approximately 4,500. It is this constant variety which makes Doraemon popular even among adult readers/viewers. In the series, the availability of dogu depends sometimes on the money Doraemon has available, and he often says some dogu are expensive in the future. The more famous ones include the "bamboo copter", a small head accessory that allows flight; the "Anywhere Door", a door that opens up to any place the user wishes; and the "Time Machine". Some of the recurring dōgu appear also in Fujiko F. Fujio's other works such as 21-emon, Kiteretsu Daihyakka, Mikio to Mikio or Pāman.
Although he can hear perfectly well, Doraemon has no ears: his robotic ears were eaten by a mouse, giving him a series-long phobia of the creatures.
The stories are formulaic, usually focused on the everyday struggles of fourth grader Nobita, the protagonist of the story. In a typical chapter, Nobita comes home crying about a problem he faces in school and/or the local neighborhood. After hearing him out, Doraemon always offers helpful advice to his problem(s), but that's never enough for Nobita, who is consistently looking for the "quick, easy" way out (which offers insight to the viewers as to why Nobita's life turned out the way it did). Finally, after Nobita's pleading and/or goading, Doraemon produces a futuristic gadget out of his aforementioned pouch to help Nobita fix his problem, enact revenge, or flaunt to his friends. The only main female character is Shizuka Minamoto (源 静香 Minamoto Shizuka?), who serves as a semi-romantic girlfriend of Nobita, but otherwise a supporting, minor character. Nobita's main human friends include Gian, a known bully, and Suneo, a gloating spoiled wealthy kid. There are many recurring supporting characters, such as Dekisugi, Nobita's parents, his school teacher, his descendants from the future, and Doraemon's sister, Dorami.
Nobita usually goes too far, despite Doraemon's best intentions and warnings, and gets into deeper trouble than before. Sometimes, Nobita's friends (usually Suneo or Jaian) steal the gadgets and end up misusing them. However, by the end of the story, there is usually retribution to the characters who end up misusing them, and a moral is taught.


Manga

 

In December 1969, the Doraemon manga appeared simultaneously in six different children's monthly magazines. The magazines were titled by the year of children's studies, which included Yoiko (good children), Yōchien (nursery school), and Shogaku Ichinensei (first grade of primary school) to Shogaku Yonnensei (fourth grade of primary school). By 1973, the series began to appear in two more magazines, Shogaku Gonensei (fifth grade of primary school) and Shogaku Rokunensei (sixth grade of primary school). The stories featured in each of the magazines were different, meaning the author was originally creating more than six stories each month. In 1977,CoroCoro Comic was launched as a magazine of Doraemon. Original manga based on the Doraemon movies were also released in CoroCoro Comic. The stories which are preserved under the Tentōmushi brand are the stories found in these magazines.
Since the debut of Doraemon in 1969, the stories have been selectively collected into forty-five books published from 1974 to 1996, which had a circulation of over 80 million in 1992. In addition, Doraemon has appeared in a variety of manga series by Shōgakukan. In 2005, Shōgakukan published a series of five more manga volumes under the title Doraemon+ (Doraemon Plus), which were not found in the forty-five Tentōmushi pipi volumes. Many other series have since been produced, some not from official supplies.
Doraemon was discontinued in two media because readers were advancing in grades and an ending was believed to be needed. These two are not reprinted.
  • In the March 1971 issue of the magazine Shogaku 4-nensei:[9] Due to the fact that visitors from the future were causing too much trouble, the government in the 22nd Century passed a bill to ban time-travelling altogether, meaning Doraemon would have to return to his time era. He leaves Nobita.
  • In the March 1972 issue of the magazine Shogaku 4-nensei: Doraemon, for some reason, had to go back to the future but fakes a mechanical problem so that Nobita would let him go. Nobita believes him and promises to wait until Doraemon gets well. Realizing that Nobita can handle his departure, Doraemon tells the truth and Nobita accepts. Doraemon returns to the future.
The third ending was actually meant to be the official ending due to low TV ratings and the Fujiko Fujio duo being busy with other works, but Doraemon did not leave their minds and restarted in the next month's issue. In 1981, this episode was made into anime (called "Doraemon Comes Back"), and in 1998, this was released as an anime movie.
  • In the March 1973 issue of the magazine Shogaku 4-nensei, Nobita again returns home after losing a fight against Gian. Doraemon then explains that he has to return. Nobita tries to have Doraemon stay but after talking it over with his parents, he accepts Doraemon's departure. They take a last walk in the park. After they split up, Nobita encounters Gian and gets into a fight again. After a long duel with Nobita trying to win at all costs so that Doraemon can leave without worries, Gian gave up (which gave Nobita the win) because no matter what, Nobita refuses to stay down. Doraemon finds Nobita passed out with a bloody mouth and takes him home. Sitting beside the sleeping Nobita, Doraemon returns to the future. This story was reprinted in the last chapter of the manga Book 6.
When the Fujiko Fujio duo broke up in 1987, the very idea of an official ending to the series was never discussed. Since Fujiko F. died in 1996 before any decisions were reached, any "endings" of Doraemon are fan fiction. However, it is apparent from many episodes and movies where Nobita travels to the future that in the end he does marry Shizuka, leads a happy life and separates with Doraemon, although Nobita and his friends fondly remember him.[10]
One of the most prolific fanfiction endings was by Nobuo Sato. In this ending, Doraemon's battery power ran out, and Nobita was given a choice between replacing the battery inside a frozen Doraemon, which would cause it to reset and lose all memory, or await a competent robotics technician who would be able to resurrect the cat-robot one day. Nobita swore that very day to work hard in school, graduate with honors, and become that robotics technician. In the future, it was revealed that Japan has become a Republic, and Hidetoshi Dekisugi is the President. He successfully resurrected Doraemon in the future as a robotics professor, became successful as an AIdeveloper, and thus lived happily ever after, thus relieving his progeny of the financial burdens that caused Doraemon to be sent to his space-time in the first place. Adōjin manga for this ending was made by a "Tajima T Yasue" in 2005, and it sold 13,000 copies before Shogakukan halted its publication. Tajima apologized to Shogakukan in 2007 and paid an undisclosed amount of money for settlement.[11]

Television series

After a brief and unpopular animated series in 1973 by Nippon Television, Doraemon remained fairly exclusive in manga form until 1979 when a newly formed animation studio, Shin-Ei Animation (Now owned by TV Asahi) produced an anime series of Doraemon. This series became incredibly popular, and ended with 1,049 episodes on March 25, 2005.
In the ending of the first series, Nobita finds a box the shape of Doraemon in his drawer. The next day, which happens to be April Fool's Day, Nobita is jeered at by Suneo and Gian, the latter tricking him about Doraemon's return. He happily runs home and asked his mother whether Doraemon came back and finds out the truth. Nobita couldn't stand it and opens the box. Inside of it was a bottle of liquid. He hears Doraemon's voice explaining that the potion is called Uso 800 (Lies 800) it is used to make all untruths the drinker says true. Nobita uses it to play a few tricks on Gian and Suneo, like first taking cover then say that the weather sure is good, which becomes a lie and it started to rain heavily before he said it is raining heavily and the rain stopped. Gian and Suneo was scared away after a few tricks and when Nobita mentioned what is happening. Nobita was very happy at first but quickly loses interest in the absence of Doraemon. As he walks home, due to his earlier questioning if Doraemon returned or not, his mother asked him if he could find Doraemon, he unwittingly said, in great disappointment, the truth about Doraemon never coming back, just like what Doraemon told Nobita before his departure. Since the potion was still in effect, when he arrives his room he finds Doraemon there, and they have a happy reunion, but due to the effects of the potion, all his greets and joyful words have to be spoken in the opposite way like I am so unhappy that we can never be together again.. The extended ending from the animated series was eventually adapted to the first story of Book 7 in the manga series, with a few changes (i.e. Instead of hearing Doraemon's voice explaining the use of the potion, he finds a card inside the box describing the use of the potion).
Celebrating Doraemon's anniversary, a new Doraemon series produced by the same team as the 1979 series (in association with Studio Pierrot), began airing on TV Asahi on April 15, 2005 with new voice actors and staff, and updated character designs.

Video games

 

 There are nearly 50 Japanese-only video games ranging from trap-em-ups to RPG games, that began with the Emerson's Arcadia 2001 system. For a complete list of these games see List of Doraemon media. Doraemon can also be seen in the rhythm games Taiko no Tatsujin (11 - 13 only), Meccha! Taiko no Tatsujin DS: 7tsu no Shima no Daibouken, and Taiko no Tatsujin Wii.

 http://en.wikipedia.org/wiki/Doraemon